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	<title>Comments on: The Phrygian Susb9 Chord</title>
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	<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/</link>
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		<title>By: Owain</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4146</link>
		<dc:creator>Owain</dc:creator>
		<pubDate>Tue, 01 Dec 2009 20:31:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4146</guid>
		<description>Hi Danny. 

The chord is called susb9 because it&#039;s a sus chord with a b9. The lack of major or minor third makes it a suspended chord and the added flat 9 outlines the dark sound of the phyrgian mode. Technically it&#039;s just called a susb9. 

It would be called a susb9 in whatever situation even if used as a V chord although I would &quot;think&quot; of it as a V7b9 chord to make things easier when soloing. 

Hope that helps Danny.</description>
		<content:encoded><![CDATA[<p>Hi Danny. </p>
<p>The chord is called susb9 because it&#8217;s a sus chord with a b9. The lack of major or minor third makes it a suspended chord and the added flat 9 outlines the dark sound of the phyrgian mode. Technically it&#8217;s just called a susb9. </p>
<p>It would be called a susb9 in whatever situation even if used as a V chord although I would &#8220;think&#8221; of it as a V7b9 chord to make things easier when soloing. </p>
<p>Hope that helps Danny.</p>
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		<title>By: Danny</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4145</link>
		<dc:creator>Danny</dc:creator>
		<pubDate>Tue, 01 Dec 2009 17:27:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4145</guid>
		<description>Thank you for your help Owain. I&#039;ll be sure to keep the questions coming as I tend to have quite a few.

Why exactly is it called a Phrygian susb9 and would it still be called that if played as a V chord? I understand that the Phrygian mode correlates to the third degree of the scale and that it&#039;s distinguishing interval is the b9, but I&#039;m just wondering how all the dots connect when it is used in different situations. Thanks again.</description>
		<content:encoded><![CDATA[<p>Thank you for your help Owain. I&#8217;ll be sure to keep the questions coming as I tend to have quite a few.</p>
<p>Why exactly is it called a Phrygian susb9 and would it still be called that if played as a V chord? I understand that the Phrygian mode correlates to the third degree of the scale and that it&#8217;s distinguishing interval is the b9, but I&#8217;m just wondering how all the dots connect when it is used in different situations. Thanks again.</p>
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		<title>By: Owain</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4144</link>
		<dc:creator>Owain</dc:creator>
		<pubDate>Tue, 01 Dec 2009 08:07:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4144</guid>
		<description>Yeah you can indeed use it as a 5 chord. I would treat it kind of like a V7b9 chord and play harmonic minor mode 5 over it. (Phrygian dominant scale)

Feel free to ask any questions. Glad you like the site Danny.</description>
		<content:encoded><![CDATA[<p>Yeah you can indeed use it as a 5 chord. I would treat it kind of like a V7b9 chord and play harmonic minor mode 5 over it. (Phrygian dominant scale)</p>
<p>Feel free to ask any questions. Glad you like the site Danny.</p>
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	<item>
		<title>By: Danny</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4143</link>
		<dc:creator>Danny</dc:creator>
		<pubDate>Tue, 01 Dec 2009 03:14:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4143</guid>
		<description>Thank you very much. I&#039;ll try that. I recently saw it on the V chord. Is that at all common? Sorry for all the questions. I&#039;m just very excited about finding this site.</description>
		<content:encoded><![CDATA[<p>Thank you very much. I&#8217;ll try that. I recently saw it on the V chord. Is that at all common? Sorry for all the questions. I&#8217;m just very excited about finding this site.</p>
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	<item>
		<title>By: Owain</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4142</link>
		<dc:creator>Owain</dc:creator>
		<pubDate>Mon, 30 Nov 2009 13:29:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4142</guid>
		<description>Hi Danny. I would typically use it as an interesting substitution for the III chord in a major scale. It really brings out the sound of the phrygian mode.</description>
		<content:encoded><![CDATA[<p>Hi Danny. I would typically use it as an interesting substitution for the III chord in a major scale. It really brings out the sound of the phrygian mode.</p>
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		<title>By: Danny</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4141</link>
		<dc:creator>Danny</dc:creator>
		<pubDate>Mon, 30 Nov 2009 12:59:21 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4141</guid>
		<description>How exactly would you use this chord? I actually just learned a song that uses it a few days ago, but am unsure of exactly how it would function as a substitution.</description>
		<content:encoded><![CDATA[<p>How exactly would you use this chord? I actually just learned a song that uses it a few days ago, but am unsure of exactly how it would function as a substitution.</p>
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	<item>
		<title>By: Owain</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4120</link>
		<dc:creator>Owain</dc:creator>
		<pubDate>Mon, 23 Nov 2009 08:05:24 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4120</guid>
		<description>Hi Mike. It is an wonderful chord and really brings out the dark sound of the phrygian mode. I believe the sus13b9 chord is a variation of this phrygian chord and you are not wrong to refer to it like that although I always refer to it as simply susb9. It is the ambiguous lack of a 3rd and that dark b9 interval that really give this chord it&#039;s interesting sound.</description>
		<content:encoded><![CDATA[<p>Hi Mike. It is an wonderful chord and really brings out the dark sound of the phrygian mode. I believe the sus13b9 chord is a variation of this phrygian chord and you are not wrong to refer to it like that although I always refer to it as simply susb9. It is the ambiguous lack of a 3rd and that dark b9 interval that really give this chord it&#8217;s interesting sound.</p>
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		<title>By: Mike Griffin</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-4115</link>
		<dc:creator>Mike Griffin</dc:creator>
		<pubDate>Sun, 22 Nov 2009 20:45:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-4115</guid>
		<description>A favorite of mine, but I had always taught it was called a Sus 13 -9, was that wrong?</description>
		<content:encoded><![CDATA[<p>A favorite of mine, but I had always taught it was called a Sus 13 -9, was that wrong?</p>
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		<title>By: Rahul Rajaram</title>
		<link>http://www.jazztheorylessons.com/2009/02/the-phrygian-susb9-chord/comment-page-1/#comment-2725</link>
		<dc:creator>Rahul Rajaram</dc:creator>
		<pubDate>Tue, 14 Jul 2009 08:12:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.jazztheorylessons.com/?p=123#comment-2725</guid>
		<description>Amazing new chord :D. Thanks for publishing it here.</description>
		<content:encoded><![CDATA[<p>Amazing new chord <img src='http://www.jazztheorylessons.com/wp-includes/images/smilies/icon_biggrin.gif' alt=':D' class='wp-smiley' /> . Thanks for publishing it here.</p>
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